7:00 pm - 11:00 pm
Leeds University Union - Stylus
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About this event
Becky Hill is finally ready to step into her own spotlight. After a handful of hugely successful collaborations – with the likes of Wilkinson, Rudimental, Matoma and MK – she now finds herself a bona fide solo artist, front and centre of her own music. But it’s been a “long old slog” to get here.
Since she was a child, Becky’s innate talent for music has gotten her noticed – from wowing the judges at a youth club talent show when she was 11, to singing to punters at the end of pub shifts. It wasn’t until she was 18, though, that she was noticed outside of her small Worcestershire town of Bewdley – when she took part in BBC talent show The Voice.
Now, she feels like a completely different person to the teenager who won over Jessie J – and the nation – in 2012. “I treated The Voice like six months of university,” she says. The show, which saw her sing in front of millions of people each week, was a crash course in performing, confirming that music was her future – but Becky knew the real work would come when she left the show. As soon as that happened, she gathered up the contacts she’d made and set about organising meetings, travelling between Bewdley and London (a sign of the dogged determination she still has to this day) to secure a manager. “We worked for about two years on my sound,” she says. “He let me have artistic vision with it. At the beginning, I didn’t know what I wanted to be.”
The drum and bass and dance music collaborations helped her with that, allowing her to hone her songwriting skills (she co-wrote every song she featured on) while she figured out the kind of solo artist she wanted to become. One of those songs, her Oliver Heldens collaboration Gecko (Overdrive), reached No.1 in the UK. Another, Wilkinson’s Afterglow was a top 10 hit as well as topping the UK dance chart and attaining Gold certification. “I wanted to make a classic drum and bass record that would still be played years after it came out, and I feel like with Afterglow, I achieved that,” she says. “I’ve been at raves when it’s been played, and I go mental. I usually run up to the DJ booth a little worse for wear and ask if I can sing it.” But Becky always knew “there was a ceiling writing top lines and dance music. Plus, I’ve really always written music for me instead of other people.” Now, at 24, with a new record deal and a debut solo album on the horizon, that’s exactly what she’s doing. “It’s taken about six years,” she says, “but I'm ready as an artist now and want to get my experiences out there."
The album, which she worked on with the likes of MNEK, MJ Cole and Two Inch Punch, reflects Becky’s emotional journey throughout the past few years – both lyrically and sonically. “I’ve always been very literal in the way I’ve written,” she explains, “so how I see it will be how I sing it.” Inspired both by mid-2000s dance music and the likes of Robyn, Ellie Goulding, and Bon Iver, Becky makes heart-on-sleeve music with a beat you can dance to. “Over the course of this album, I wanted to tell a story of going from heartbreak in Bewdley, in the middle of fucking nowhere, to being in London where I was so lost at first, but found friends and love and became really happy. I wanted it to feel like a time capsule that I could listen back to in 40 years’ time and be like, ‘I know exactly how I felt.’”